Thursday, September 24, 2009

Life Portrait - My Grandma


I've realized for some time the importance of working from life but until recently didn't have the space to properly do it. But now with the new studio I do. So in between my many other projects, I've been trying to fit in a portrait of my Grandma entirely from life. She was kind enough to agree to my crazy request and came by today for the first sitting. This photo shows the rough-in for my initial drawing. Once I've completed this drawing, I then plan on creating a painting of her entirely from life. There's nothing better than painting/drawing from life.

(At this stage, I'm only focusing on large shapes and overall proportion)

Saturday, August 29, 2009

Drawing Video

video

I created this video to show my drawing process. It was really boring in real time so I had to speed it up. It's still pretty boring, but not as much now. This drawing I'm creating here is after Nicolai Fechin (1881-1955), his drawings are having an amazing blend of draftsmanship (structure/form) and energetic line work. His drawings are definitely worth checking out. Here's my finished drawing:

Wednesday, August 12, 2009

Painting on Display

For the few who don't already know--seems like I've told everyone whether they want to know or not--I have a painting on display at the conference center in Salt Lake.


Well, I finally made it up there to see it and thought the show was very good. Tons of great art including a beautiful portrait from Bill Whitaker. Plus, they gave me a good spot, that's always a bonus. So if you're in Salt Lake between now and November, I encourage you to go check it out.

Tuesday, August 04, 2009

River Plein Air

Here is a recent plein air I painted while up in American Fork Canyon--look for more to come...
oil on linen panel. 10" x 8". 2009.
$200 USD (frame included)

Wednesday, July 29, 2009

A Cup O' Drawings...

This first image is a drawing of our two little boys that I made for my wife as an anniversary gift a few months ago. I've been playing around with lost and found areas (meaning leaving some areas w/o detail) to create visual interest and lead the eye around the image. You can let me know if it worked...
charcoal, white chalk. 13" x 11". 2009.

This is a drawing I created in the studio from a still-life. My sister was in town and wanted to draw with me, so we set this up and drew for about an hour. It was lots of fun, she needs to move closer so we can do this more often--I would post her drawing as well but she'd probably kill me. :)
charcoal, white chalk. 10" x 10". 2009.

Monday, June 08, 2009

Night Painting @ Fish Lake

We took a family trip to Fish Lake this past weekend and while there I did this painting,

Fish Lake Nocturne. oil on linen panel. 5" x 7". 2009.
$100 USD (frame included)

It was fun to paint a painting in the dark since I've never tried it before. It was freezing and windy at the time, so I had to paint this as fast as I could. I used a headlamp to see and have my hands free--it was interesting trying to see color in what appeared to be almost entirely black. I'd like to try painting at night again, but preferably on a warm night.

Monday, May 18, 2009

Tips for Survival as an Artist

I came across these 10 tips for success by Micheal Shane Neal that I thought I'd share here. Although these hints are written for portrait artists, his advice applies to all working artists.


You can find the original text here.

1. Set goals and write them down! 
List things you would like to accomplish both in the short term and in the long term. You might consider committing yourself to a weekly class, list teachers you would like to study with, techniques you would like to improve on, subject and compositions you would like to tackle, galleries you would like to show with, competitions you would like to enter, etc. Setting goals is the first step to accomplishing them. Hang them near your easel as a constant reminder of what you will achieve.

2. Work hard. 
Whether you have the opportunity to devote your entire day, or just a portion of the day to your art, work hard! I have worked 12-18 hours a day for more than 15 years. It is important to devote as much time as possible to your growth as an artist, but you must work smart as well. An hour of painting free from distraction is worth 3 when the phone is ringing and the kids are home from school.

3. Study. 
Set aside a portion of each day for study. Read about a favorite artist, visit a museum either in person or via the internet, browse through a favorite art book, sketch from life, etc. Spend quality time developing your skills by reading and studying each day.

4. Tenacity! 
Don’t take “NO” for an answer! This can be no truer in the life of an artist. You will constantly face defeat and rejection. Galleries, agents, clients, friends, and even family may at times dampen your resolve. Put your passion to work. Remind yourself constantly that you can and will succeed. Pick yourself up after a bad painting, a rejection notice from a competition, or a negative review from a client. Turn each of these situations into learning opportunities. Ask yourself “what can I do better or differently next time?” Commit yourself to growth from every experience. Remind yourself constantly that you will succeed, that you will grow as an artist, and your decision to follow your dreams to become and artist will become or remain a reality.

5. Thrift. 
For nearly the first 10 years of my life as a full time artist I painted every painting on a $2 easel bought second hand, mostly held together by duct tape and a prayer! I rented a small studio that was prone to flooding and had less than ideal lighting conditions. It was important that I kept my overhead low and focused on living off of less than I made. Survival is your main goal. Living frugally whether by choice or not, is important. Getting to the next painting is your ultimate goal.

6. Identify your market. 
Who are you painting for? How can you best connect with the clientele that can become your patrons? Recognize “who” can purchase your work. Contribute to auctions that you know are supported by influential people. Contribute work to elite private school auctions, hang a portrait in an expensive children’s clothing shop, propose your work to a successful and well placed gallery, speak and share you work with local business clubs. Offer to paint a portrait for FREE for a highly respected local figure, and request an unveiling event. These are just a few of many ways to help identify your clientele.

7. Fair pricing. 
Your goal is to have your work seen and to earn enough money to cover your expenses. Price your work fairly and reasonably. When starting the life of an artist, the more work you are completing (even for a modest sum of money) can create excitement and motivation by you and your client.

8. Diversification. 
Don’t just become a portrait painter! If I had not painted fruit and landscapes along with portraits when I began, I would not still be a full time artist today. Not only does this diversification help you grow as an artist, but it provides other opportunities for you to show your work and advertise your name. Not to mention, providing alternative income! Teaching can also be a profitable experience for you and your students. Not only as an additions source of revenue, but it can also connect you to other artists and potential clientele.

9. Dependability. 
You are a business as an artist. Go the extra mile and remain dependable at all costs. Be responsive and provide the best customer service possible. Unfortunately artists are not known for seeping schedules, arriving on time for appointments, or generally running their affairs in an orderly and responsive manner. Show your clientele that you respect them, appreciate the opportunity to work for them, and take your work seriously. Always do more than what is expected of you!

10. Develop a support system. 
Develop relationships with other artists and friends you can trust. Share your work in progress with them. Share problems you are facing or new ideas...get their feedback. These relationships will help you in your life as an artist, making the experience richer and more rewarding.